Redoing one of your own paintings can be a bit tricky. It is all too easy to sacrifice spontaneity for the sake of technical improvement. It is especially so when the original painting has been well received and sold to a happy buyer as is the case with the original “Sledmere Road”. However the original had never quite matched my vision so I was keen to have another go at it. I had noticed the tremendous sunset in my rear view mirrors as we were driving home from Sledmere to Bridlington. It was so amazing that we had to stop. It was impossible for Merice to take a photograph as the light was just too dazzling but I was so inspired I was able to complete the painting from memory. However I was never truly satisfied with it. It had turned out too pale – a bit on the ‘pink’ side rather than the brilliant ‘orange’ and ‘gold’ I remembered. But as it had took me so long to paint I was happy enough to exhibit the painting at the ‘Colours of the Wolds’ exhibition and, as said previously, it sold for a good price. Nevertheless I finally decided to revisit the scene and try and capture my original impressions. I approached the painting in a completely different way –this time concentrating on working quickly without too much attention to detail and focussing entirely on the orange and gold of the reflections in the puddles. There’s a lot more colour and movement in the road giving an impression of how I first noticed the scene whilst driving along. All in all then I am very pleased with the result as it is much nearer what I saw. However it will be interesting to see what reaction it gets compared to the other more measured approach….so over to you!
Redoing one of your own paintings can be a bit tricky. It is all too easy to sacrifice spontaneity for the sake of technical improvement. It is especially so when the original painting has been well received and sold to a happy buyer as is the case with the original “Sledmere Road”. However the original had never quite matched my vision so I was keen to have another go at it. I had noticed the tremendous sunset in my rear view mirrors as we were driving home from Sledmere to Bridlington. It was so amazing that we had to stop. It was impossible for Merice to take a photograph as the light was just too dazzling but I was so inspired I was able to complete the painting from memory. However I was never truly satisfied with it. It had turned out too pale – a bit on the ‘pink’ side rather than the brilliant ‘orange’ and ‘gold’ I remembered. But as it had took me so long to paint I was happy enough to exhibit the painting at the ‘Colours of the Wolds’ exhibition and, as said previously, it sold for a good price. Nevertheless I finally decided to revisit the scene and try and capture my original impressions. I approached the painting in a completely different way –this time concentrating on working quickly without too much attention to detail and focussing entirely on the orange and gold of the reflections in the puddles. There’s a lot more colour and movement in the road giving an impression of how I first noticed the scene whilst driving along. All in all then I am very pleased with the result as it is much nearer what I saw. However it will be interesting to see what reaction it gets compared to the other more measured approach….so over to you!
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Never let it be said that I never go out of Yorkshire. On several occasions I have been known to venture further afield – why this weekend I even went to Manchester which is in Lancashire! The first time I visited the Lake District was in March 2004 to celebrate our Silver Wedding Anniversary (husbands please be aware – even if you arrange for the surprise delivery of twenty five red roses…..do NOT forget to get a card too!). We have been back a few times since that happy occasion and the place never fails to amaze and inspire me. Honister Pass has got to be one of the star attractions. This is the top of the pass before it sets off to wander its merry way down through the valley of Borrowdale. We walk through the delightful grounds of Sewerby Park on an almost daily basis. Situated literally on our doorstep it is a lovely place to stroll through and enjoy. We have seen an amazing abundance of snowdrops and aconite in the woodland walk and are now looking forward to the carpet of bluebells which will be here soon. This is a painting I did last year for our 'Double Vision 2014' exhibition and I thought it would make a nice cheerful cover photo for my website during the next few weeks. Click to see a selection of cards from paintings by Glenn Marshall
This is another early effort and was painted during my first stint as artist in residence at Burton Agnes Hall in April 2004. Because I was living in York at the time the Hall provided me with a free flat for a month so Merice and I had a lovely working holiday each spring for several happy years. This was one of our evening strolls looking out towards the rolling expanse of the Yorkshire Wolds. The light reflected in the puddle was brilliant but the sky was the real challenge in this painting. I masked the line of the darker clouds that I needed to preserve. Then a wash in horizontal strips of yellow, red and cerulean blue and when almost dry I added the darker colours for the darkening clouds. I tilted the board upside down so the wet paint ran off the top of the sky leaving very little bleed back onto my horizon. Once I added a bit of detail the painting came to life. Even today, after all these years, when I see this painting I am transported straight back there to that magical evening. Here’s another early painting for my ‘Beginnings’ collection. The Yorkshire Dales is a magnet for visitors from all over the world who come to admire its incredible beauty and explore its ancient villages. It is now an area to get away from it all and yet not too long ago the Dales were a hive of industrial enterprise. The Dales are dotted with the remains of a vast lead mining industry. Particularly impressive are the workings on Grassington Moor. I first came across them several years ago when Merice and I were on holiday in the Dales staying in a village called Linton. It is famous for its spectacular waterfalls but is also at the hub of numerous delightful walks. We walked on the riverbank into the next village – Hebden - nearly every morning. I recall a very fine bacon sandwich and strong black coffee enjoyed in a friendly café that had been converted from an old chapel. One day we walked on from Hebden on a circular walk over the moor that would end up in Grassington and this is where I first came across the mine workings and the peculiar ‘bell pits’. I found this interesting book that explained the process: “The earliest mining process was the digging of bell pits. These appear today as circular depressions in the ground occurring at intervals along straight lines, but can often be confused with the natural shake and swallow holes in limestone. Lead ore usually occurs as vertical veins. Miners identified these veins at the surface in flat areas and dug a hole to expose the ore. As they dug deeper they reached a limit when it became difficult to remove the waste by shovel and the walls of the pit became less stable. They dug vertically down into the rocks opening a small shaft and ultimately a bell shaped chamber underground, removing waste by use of a hand winch (a jack roller or windlass) with a bucket (known as a kibble). As they reached the limit of ore or the limits of practical working they would move along the surface following the vein of lead and start new bell pits. Spent bell pits were often sealed off with wood and then back filled to stop sheep falling in but this process has left a dangerous legacy as the wood has rotted” ‘An Introduction to Lead Mining in the Yorkshire Dales’ by Carol Haynes Of course that does not convey the danger, hardship and sheer hard physical labour that these incredibly tough miners had to endure. I wonder what they would have made of today when people walk across the moors for pleasure! Not far outside Hebden you have to get across the Gill and this lovely old bridge spans the fast flowing waters. I sketched it on the spot and painted it back in the cottage we were staying in while it was still fresh in my mind. I was very pleased to find this record of the early painting as it captures the vitality and exuberance of that day. I deliberately painted quickly and loosely so I could conjure up movement and spontaneity. At the time I was very pleased with it and do you know what…..I still am. Glenn This is another painting for my ‘Beginnings’ series. Strensall Common is situated just outside the City of York. Part of it is still common land but the vast majority comprises an Army training area which includes a live firing range. This means the area has been left relatively undisturbed so is a haven for wildlife and as well as containing spectacular views. I used to visit the area frequently when I lived in York and it was the inspiration for many of my early paintings. By the time I came to paint this I was starting to display real confidence in developing my own style and way of working. In early spring there was an absolute abundance of gorse and I loved the warm yellow of the flowers lining the tracks. So the painting went well. I painted the background with very loose washes wet on wet and was particularly pleased with how the archway of middle distance trees turned out. The whole scene was painted to lead the viewer down the track and through the arch. Silver birches are an artist’s dream with interesting features at any time of the year and the reflections in the puddle balanced up the composition. So a good result? Not quite. When I stood back to look at the finished piece I realised I had a problem with the gorse. Simply put they were not high enough especially in the foreground. I had masked the flowers (and the sheep) before I started to paint so the colour could be added later but it was not so easy trying to make them taller. I did the best I could by scratching out and painting over and hopefully I got away with it. What do you think? Glenn
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AuthorProfessional artist now semi retired and enjoying being eccentric! Archives
October 2022
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